Overview. But a mic like this isnt perfect for all situations. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. . Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. KSM9 - Condenser Vocal Microphone - Shure USA See giveaway details & rules or check out our past winners! One of the standout features of this mic is its versatility it can be used for both vocals and instruments. The standard voltage for phantom power is 48 V DC. Dualdyne capsule continues the ongoing evolution of microphone technology. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. What's the problem with your 58? Go for the shorter lengths where possible. Great write up. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. This means an even, predictable low-end as the distance from the mic changes. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. However the KSM9 is noticeably cleaner and brighter. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). You can easily make one of these out of stockings, or buy one here. A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. nine microphones M KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. I think its fair to say, condenser mics are generally most at home in the recording studio. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. They call it a three-stage grille or simply triple grille. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! XLR cables are the only cables capable of carrying phantom power to the mic. Despite being a condenser, the design is well adapted to gigging. Beta 87A on UHF-R Wireless. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. 530 706 Des. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. ; chanel The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. Another drawback of sensitive microphones is that they often have a low maximum SPL. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Inside, the microphone features a Class A, transformerless preamplifier circuit. In the meantime, I want to focus first on the development of Shures remarkable new microphone. But there are some differences. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. As a premium mic, the KSM9 is certainly pricey. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . JavaScript is disabled. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. All in all the KSM9 has a durable, carefully considered design. The polar response also behaves differently with both frequency and source distance. 1.93 in. In Europe, call 49-7262-92490. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. This makes it ideal for recording vocals or instruments in a studio setting. Review Of Shure Dualdyne KSM8 Dynamic Microphone The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. Its not something I could actually hear. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. You wont have the super resilience of a dynamic mic. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. PA Consulting. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . 965 seriously cuts through the muddiness very crisp high end. 71 user ratings. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). 5 stars: 28 %: 4 stars: Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. The Shure KSM9 has a sleek metal solid-colour design. For comparison the SM58 only reaches 15kHz. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. Spitfire Audio Hans Zimmer Collection. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. KSM8. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. The KSM8 microphone is available in a black or brushed-nickel finish. shure ksm8/n; . I have heard good things about this capsule. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Hi Peter The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. . Shure: KSM8 & KSM9 Microphones. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. Popular comparisons. In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. The capsules that see most demand are beta58s and KSM9s. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Have a question or request? Nice to know, that. The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Performance & security by Cloudflare. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. Available colors: User rating: 71. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. Ultimately they often sound better. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). Click to reveal I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. Internal shock mount and capsule stabilization mean minimal handling noise. Shure KSM9 Vs Neumann KMS 105 Comparison | themicmaniac.com Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. The Sennheiser also has a slightly larger diaphragm than the Shure. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Confused about setting up your guitar? This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. The BLX88 is the two-channel version of the BLX4. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. Unlike with other mics, both patterns of KSM9 work flawlessly. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Given the sensitivities of condenser mics, why would anyone risk using one on stage? Here we really missed the added proximity oomph, particularly for the guitar. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. I was hoping to get a few opinions on these microphones. The KSM8 really is impressive for a dynamic mic. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Are there any favorites on the Sennheiser end of things? A perfect choice for precise, intimate live vocals. Shure Tech Portal open_in_new. Shure KSM9HS | RecordingHacks.com The KSM9 microphone typically runs around $700 in a wired configuration. At a similar price, therere many comparisons to be made between the 105 and the KSM9. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. Web site designed & maintained by PB Associates & SOS. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. But theres one major difference between these two mics. As low as $62/mo. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. More about the KSM8 here. Your IP: Shure are one of the industry leaders in vocal microphones. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. There are no user-serviceable parts inside. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. . Shure KSM9 has two modes: cardioid and supercardioid. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Sandusky, MI, United States (26) SHURE KSM9/CG/ The output of these capsules is manipulated electronically to support two pickup patterns . But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Why you can trust MusicRadar 2:33 Shure KSM9 Only Brand New. They both have their own advantages and disadvantages, so its important to choose the right one for your needs. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. 10 Albums That Are Complete Masterpieces According to You! Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Where the magic happens! Switchable cardioid and super-cardioid patterns. American Standard Pitch Notation, a true work of evil. Shure Wireless Buying Guide: Which System Is Right for Me? The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. KSM8 Specification Sheet (English) - Shure The switch is under the grille. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. Our robust and effective solutions create market success. Now is the perfect time to get the gear you want with simple, promotional financing. As a condenser mic, the Shure KSM9 requires phantom power. AK8C. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. Win a TB-03 and TR-06 from Roland. The outer grille has been tempered to provide years of dent resistance. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Shure: KSM8 & KSM9 Microphones - An Essential Design Case Study More about the different types of microphones here. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. In my experience the KSM8 is a more hi-fi-sounding mic. . New Release: EDM Expanse (Construction Kits). However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). Interesting Essay On Sampling Rights and Reforms. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. In Summary. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. Strategically positioning and bringing to life new brands. 25 Feb/23. Learn More. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. Shure Ksm9 ! Theyre reliable, and lots of them sound great. It is made from high-quality components, which ensures that it delivers excellent sound quality.
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